Art in public spaces
Art in public space is a broad term that encompasses all artistic activities that occur in publicly accessible places, such as streets, squares, parks or building facades. Its purpose is to enter into dialogue with the environment and engage casual viewers who encounter it in the course of their daily activities. It encompasses a variety of forms: from permanent sculptures, to wall painting, to temporary projects and interactive installations. In this context, art is no longer reserved for the elite spaces of galleries or museums – it becomes an element of the urban landscape that provokes reflection, aesthetically enriches the environment, and sometimes comments on current social phenomena.
Art in public space is not only traditional forms, such as sculptures or monuments, but also murals, street art, ephemeral projects, interactive light installations, or activities using sound and digital technologies. Each of these forms has its own unique characteristics and performs distinct functions, creating a complex artistic fabric in public spaces.

Sculpture: permanent installations in public space
Sculptures are one of the oldest and most common forms of art in public space. Initially, they were primarily monumental in nature and used to commemorate important figures or historical events. Examples of such installations include monumental sculptures erected in squares and plazas, which give a symbolic character to a place, reminding people of its importance. Over time, however, sculptures in public spaces have ceased to serve only a commemorative function, and have begun to be seen as an aesthetic intervention that affects the identity of a place.
Contemporary urban sculptures are often abstract in nature, playing with form and texture, surprising passersby and making them think about their meaning. An example of such an approach is the work of British artist Antony Gormley, whose minimalist figures placed on rooftops and city streets become part of the urban landscape, simultaneously creating an effect of surprise and delight.

Murals and street art: colorful manifestos
Murals and street art are one of the most dynamic and engaging art forms in public space. Originally associated with subcultures and political resistance, today they are an integral part of the urban landscape. Unlike permanent sculptural installations, murals are often created as a reaction to current political, social, or cultural events. A great example is Banksy’s works, which – despite their ephemeral nature – are able to provoke global discussions on issues such as social inequality or environmental protection.
However, murals not only function as manifestos, but also aesthetically enrich the space. Colorful, decorative walls enliven gray neighborhoods, giving them new energy and identity. In Poland, monumental murals adorning the walls of tenement houses in Lodz, Warsaw or Gdansk are particularly popular, often referring to the local history and identity of a given place.

Installations and temporary projects: Ephemerality as a force of expression
Temporary installations in public space are activities that assume their temporariness – their strength lies precisely in the fact that they appear for a moment, changing the way we perceive familiar spaces. Ephemeral projects, such as happenings, video projections or seasonal installations, enter into dialogue with a place in a specific way – they emphasize its transience, provoke reflection and invite viewers to interact.
An example is the project “The Gates” by Christo and Jeanne-Claude, which in 2005 transformed Central Park in New York into a space covered with orange gates. The installation was only present for two weeks, but its impact on the perception of the park and the memory of the event continues to this day. This type of activity is a reminder that art in public spaces doesn’t always have to be permanent to have an impact on viewers.

Sound art, light art and interactive projects
Contemporary public art is increasingly turning to new technologies to create multi-sensory experiences for viewers. Sound installations, light projects or interactive activities that respond to the movement of passers-by create new possibilities for dialogue with the urban space. One example is Antonin Fourneau’s ‘Waterlight Graffiti’, an interactive light wall on which passers-by can create their own drawings using water. This type of project engages the public, allowing them not only to watch, but also to participate in the creation of the work.
Also, mapping, i.e. video projections fitted to the shape of buildings, changes the appearance of well-known places, creating spectacular light shows. In Poland, there are well-known projections on the façade of the Royal Castle in Warsaw or festival mappings as part of the Bella Skyway Festival in Toruń.
Modern art projects in public space, through the use of light, sound and interaction, extend the traditional understanding of art and create entirely new spaces for discovery that engage the senses and invite active participation.
Art as part of the urban landscape
Art in public spaces is not just a decoration or an aesthetic element – its purpose is to create a dialogue with the space and with the audience. Through a variety of forms, such as sculptures, murals, ephemeral installations or modern multimedia projects, it is becoming an integral part of the urban landscape. Each of these forms has a distinct function, but together they all create a vibrant, multidimensional urban fabric that encourages reflection, dialogue and participation.