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Zofia Artymowska, “Polyforms CXVI, Multi-directional Composition”, 1986 – mathematical order and optical illusion
Zofia Artymowska, “Polyforms CXVI, Multi-directional Composition”, 1986 is an abstract painting from the mature phase of the artist’s oeuvre and a clear example of her work within the “Polyforms” series. In this painting, mathematical order and system-based thinking are combined with a sophisticated optical illusion of depth, resulting in an intellectually charged yet visually striking composition.
Description – cylindrical forms and coloured rings
The composition is constructed from a rhythmic arrangement of vertical, cylindrical forms that span the canvas like columns or technical structures. Their raw grey colour gives the work an industrial, almost architectural feel.
This monochrome severity is broken by geometric rings in saturated yellow, red, blue and green. These coloured bands:
- highlight different spatial planes,
- introduce movement and visual accents,
- turn the columns into vibrant, active modules rather than static objects.
Background – vibrating surface and central band of light
The background consists of a vibrating, finely striated field, whose horizontal bands create the impression of a wavy, shimmering surface. Chromatically, it moves from cool blues to warm purples, adding spatial depth and atmospheric complexity to the painting.
A central, luminous strip of white cuts across this field. It can be read as a source of light or a kind of symbolic horizon. This bright band:
- organises the composition,
- enhances the three-dimensional effect of the cylindrical forms,
- introduces a sense of opening or expansion of space.
Depth, light and Artymowska’s mature style
“Polyforms CXVI, Multi-directional Composition” masterfully plays with depth and light. The viewer is drawn into a subtle game between the flat surface of the canvas and the suggested three-dimensionality of the objects. The cylinders appear to project towards the viewer, while the striated background recedes, creating a convincing illusion of layered space.
The work exemplifies Zofia Artymowska’s mature style, characterised by:
- geometric discipline and “mathematical order”,
- op-art–like illusions of movement and depth,
- a refined colour scheme dominated by greys, blues and purples, punctuated by strong accents of yellow, red and green.
This is intellectual painting, in which a systematic construction becomes the basis for a hypnotic, almost kinetic viewing experience. For collectors and institutions, “Polyforms CXVI, Multi-directional Composition”, 1986 is an important reference point within both Polish geometric abstraction and the oeuvre of Zofia Artymowska.
Keywords: Zofia Artymowska Polyforms CXVI Multi-directional Composition, geometric abstraction, Polish contemporary art, op art, illusionistic painting, Artymowska Polyforms.
