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All the works of art - Landscape-Grim Reaper-Projectiles, 2023

Contemporary Art Gallery Warsaw Skowronscy Art – Artist: All the works of art – The Artist's Work – Landscape-Grim Reaper-Projectiles, 2023

Other works by this artist: Wincenty Czwartos

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18.000 

The painting exemplifies Wincenty Czwartos’s characteristic creative strategy: the artist explores the universal dimension of the human condition in the face of history, translating existential uncertainty into the language of painterly means. The central figure—a hybrid fusion of a human silhouette and a skeleton—dominates the vast landscape, creating tension between the appearance of vitality
and the inevitability of death. The artist’s self-portrait can be discerned in the figure’s facial features.

On a formal level, the work employs a grayish blue characteristic of Czwartos, with which the painter models the figure. This cold shade—close to what Andrzej Wróblewski made
his “signature of death” — simultaneously envelops the man’s clothing and his exposed skeleton, blurring the boundary between the living and the dead. Death here is not an allegorical figure from the outside—it is within, it is the very substance of man. The figure walks upright, almost dignified: this is not agony, but a proud endurance.

The eponymous funeral wreath encircles the stage, serving as a decorative yet ominous frame. The floral garland, reminiscent of the still lifes of the old masters, is pierced by rhythmically repeating motifs resembling arrowheads or modern bullets. This hybrid form creates an atmosphere of existential anxiety. A young boy, frozen in a proud gesture, becomes a universal symbol of a generation sent to the front. Despite the visual splendor and almost comic-book charm of the blue steed, the painting remains a bitter commentary on the political mechanisms that transform living youth into a posthumous, painterly monument.

The composition’s background consists of two distinctly contrasting planes. The lower part is occupied by a vast landscape, painted with almost topographical precision: undulating hills, a blue ribbon of river, and expansive fields. It is a peaceful, almost idyllic view—the earth in its natural state. The upper part is filled with rhythmically arranged, diagonal bands of red and pink, reminiscent of a banner, the glow of a fire, or traces of explosions. The juxtaposition of the living earth with the apocalyptic sky creates the setting for an inevitable catastrophe.

Black, pointed projectiles fall across the entire space of the painting, from the sky to the ground. Their arrangement is rhythmic, almost decorative: death comes here not as chaos, but as order, as a system. The projectiles pierce the earth and the space around the figure, as if marking its trajectory.

The painting remains a bitter commentary on the reality of war. The Grim Reaper in civilian clothes, striding through a beautiful landscape under a rain of bullets, becomes a universal symbol of humanity in the face of the machinery of destruction—not a hero, but a victim inscribed into a landscape that is itself already an epitaph.

Category: Painting

Artistic movement: Figurative art

Technique: Oil on canvas

Dimensions: 200 cm x 150 cm

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Wincenty Czwartos – Landscape-Grim Reaper-Projectiles, 2023

Landscape-Grim Reaper-Projectiles by Wincenty Czwartos is a monumental oil painting from 2023, in which the artist addresses the human condition in relation to history, war and the inevitability of death. The work combines a vast, almost topographical landscape with the symbolic figure of the Grim Reaper and rhythmically falling projectiles. The result is an image charged with existential tension: painterly precise, metaphorical and deeply unsettling.

The central figure — a hybrid fusion of human body and skeleton — dominates the landscape, creating tension between the appearance of vitality and the certainty of death. The figure wears civilian clothing, yet part of the body is revealed as a skeleton. Death does not enter the image from outside as a traditional allegory. It is inscribed into the very structure of the human being, present beneath the surface of everyday life, internal and inseparable from existence.

Formally, the painting operates through Wincenty Czwartos’s characteristic cool, greyed blue. This colour covers both the figure’s clothing and exposed skeleton, blurring the boundary between living and dead body. It may be read as a dialogue with the work of Andrzej Wróblewski, in whose painting blue functions as a sign of death, absence and passage to the other side. In Czwartos’s work, this colour gives the figure the status of an apparition — present, yet already marked by loss.

The figure walks upright, almost with dignity. This is not an image of agony or collapse, but of proud endurance in the face of catastrophe. The facial features may suggest an auto-portrait dimension, which intensifies the personal character of the work. The artist does not present death as an abstract motif, but as an experience inscribed into the condition of an individual living in the shadow of history.

The background is structured through two strongly contrasting planes. The lower part is occupied by an expansive landscape painted with great attention: rolling hills, fields, a blue ribbon of river and luminous areas of land. It is a calm, almost idyllic view — an image of the earth persisting despite violence. The upper part is filled with diagonal bands of red and pink, evoking associations with a banner, the glow of fire, a sky after an explosion or traces of bombardment. The collision between living earth and apocalyptic sky creates the scenery of an approaching catastrophe.

Across the entire pictorial space, black, sharply pointed projectiles fall from above. Their arrangement is rhythmic, almost decorative, which gives the scene a particularly bitter character. Death does not appear as a chaotic eruption, but as a system, an order and a repetitive mechanism. The projectiles cut through the sky, the landscape and the space around the figure, as if marking the trajectory of a human being caught within the machinery of destruction.

Landscape-Grim Reaper-Projectiles may be read as a contemporary memento mori and a bitter commentary on wartime reality. The Grim Reaper in civilian clothing, walking through a beautiful landscape under a rain of projectiles, becomes a universal symbol of the human being confronted with the violence of history. This is not a triumphant hero, but a figure of the victim — a being who endures while the surrounding world turns into an epitaph.

From a collector’s perspective, the painting stands out through its monumental format, complex iconography and strong formal tension. Wincenty Czwartos combines landscape, the figure of death, an auto-portrait trace, Wróblewski’s blue and the motif of contemporary war, creating a work of powerful impact and considerable interpretive density.

Wincenty Czwartos
Landscape-Grim Reaper-Projectiles, 2023
Technique: oil on canvas
Dimensions: 200 × 150 cm
Category: painting
Art movement: figurative art

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